If you have ever been lucky enough to own a quilt handed down to you from a grandmother, great grandmother, or someone even farther back in your family tree, you understand how fascinating and valued they are. Over the years many myths have grown up around this quintessentially American craft. Quilt museums have researched some of the most popular with some surprising results.
Antique quilts, in many ways, are window into the country's beginnings. We have ideas about our ancestors in the colonies sewing together scraps of material to create bed covers for their families. We see this as a sign of their thriftiness. Some people believe quilters designed pieces with secret messages for runaway slaves to help them get to a safe haven using the Underground Railroad.
A commonly held belief is that pioneer women kept scrap bags filled with remnants ready to be turned into quilts. This suits the notion that all pioneers were ingenious and did not mind the manual labor it took to create necessities for everyday life. In fact, pioneer quilters didn't use scraps, but whole cloth instead. The cloth available to them was expensive and imported. It took the Industrial Revolution to make quilting from scraps feasible.
It is commonly believed that colonial women made quilts. This fits our picture of Americans with limited resources but plenty of resilience. Historians have found this to be fairly rare. In colonial times, textiles were expensive commodities. It was only after industry technology made mass produced cloth affordable that cutting up material and sewing it back together made economic sense.
Many people associate quilting only with women. Feminists have embraced quilting as a good example of the strength and ingenuity of women. They point to the communal aspect of quilting bees that brought women together working toward a common goal. While this is true, there are any number of talented professional male quilters. There are also male quilt pattern artists. Some of their best works hang concurrently with female quilters.
Most people believe that quilting is an American phenomenon. America may produce the majority of quilts, and created distinctive traditions that were handed down from generation to generation. Some of the styles and designs were borrowed from Europe though. Mosaic patchwork design, seen in American quilts, originated in Britain. Quilted textiles dating to the first century have been found in Mongolia.
One of the most persistent myths surrounding the American quilting phenomenon is that it played a powerful part in the Underground Railroad. The belief is that quilters sewed code into their creations to guide fugitive slaves to safe havens along the their way to freedom. There seems to be no real evidence of this. Historians say it's most likely a folk tale derived from a particular family.
Quilts become family treasures. They have a history all their own. The most famous myths are sometimes true and sometimes not. Either way families will continue to cherish quilts and pass them on to new generations.
Antique quilts, in many ways, are window into the country's beginnings. We have ideas about our ancestors in the colonies sewing together scraps of material to create bed covers for their families. We see this as a sign of their thriftiness. Some people believe quilters designed pieces with secret messages for runaway slaves to help them get to a safe haven using the Underground Railroad.
A commonly held belief is that pioneer women kept scrap bags filled with remnants ready to be turned into quilts. This suits the notion that all pioneers were ingenious and did not mind the manual labor it took to create necessities for everyday life. In fact, pioneer quilters didn't use scraps, but whole cloth instead. The cloth available to them was expensive and imported. It took the Industrial Revolution to make quilting from scraps feasible.
It is commonly believed that colonial women made quilts. This fits our picture of Americans with limited resources but plenty of resilience. Historians have found this to be fairly rare. In colonial times, textiles were expensive commodities. It was only after industry technology made mass produced cloth affordable that cutting up material and sewing it back together made economic sense.
Many people associate quilting only with women. Feminists have embraced quilting as a good example of the strength and ingenuity of women. They point to the communal aspect of quilting bees that brought women together working toward a common goal. While this is true, there are any number of talented professional male quilters. There are also male quilt pattern artists. Some of their best works hang concurrently with female quilters.
Most people believe that quilting is an American phenomenon. America may produce the majority of quilts, and created distinctive traditions that were handed down from generation to generation. Some of the styles and designs were borrowed from Europe though. Mosaic patchwork design, seen in American quilts, originated in Britain. Quilted textiles dating to the first century have been found in Mongolia.
One of the most persistent myths surrounding the American quilting phenomenon is that it played a powerful part in the Underground Railroad. The belief is that quilters sewed code into their creations to guide fugitive slaves to safe havens along the their way to freedom. There seems to be no real evidence of this. Historians say it's most likely a folk tale derived from a particular family.
Quilts become family treasures. They have a history all their own. The most famous myths are sometimes true and sometimes not. Either way families will continue to cherish quilts and pass them on to new generations.
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